Republica Danga

„ Danga nu e, adică e pretutindeni. Este o insulă, compusă din pulberea unei planete îndepărtate, unde legile fizicii terestre nu sunt chiar atât de riguroase. Aici nu se știe prea bine dacă oamenii mint, visează, sau trăiesc cu adevarat „


Gimnastica IQ-lui

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Re: Gimnastica IQ-lui

Mesaj Scris de Vizitator la data de Sam Iul 11, 2015 12:32 am

am uitat de IQ !  scratch  

Aveti pt o luna ...Bach  Cool 


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Re: Gimnastica IQ-lui

Mesaj Scris de Vizitator la data de Mier Aug 19, 2015 6:34 pm

Ditrich Buxtehude -compozitor/organist german (1637-1707) baroc



asociez o pictura marca Adrian Ghenie 

The Stigmata 


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Mesaj Scris de Vizitator la data de Mier Sept 16, 2015 4:30 pm

Alexandru Tomescu  de ziua lui 

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Mesaj Scris de Kavarna la data de Vin Oct 02, 2015 4:54 pm


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Mesaj Scris de Vizitator la data de Mar Oct 20, 2015 11:47 am

ulala


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Mesaj Scris de Vizitator la data de Mier Oct 21, 2015 2:37 pm

O minunatie ! 

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Mesaj Scris de Sfatuitorul la data de Dum Oct 25, 2015 6:12 pm

De ziua lui Alexandre Cesar Leopold Georges Bizet



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Mesaj Scris de Vizitator la data de Dum Ian 17, 2016 7:05 pm

Telemann


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Mesaj Scris de Vizitator la data de Dum Ian 17, 2016 7:09 pm

Mozart 

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Mesaj Scris de The Dude la data de Vin Ian 29, 2016 6:57 am

Aproape un an de Republica si numele lui nu a fost rostit nici macar o singura data..............


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Mesaj Scris de The Dude la data de Dum Mar 13, 2016 6:59 pm




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Mesaj Scris de The Dude la data de Joi Apr 21, 2016 11:59 am





Why Hamilton Matters

The story of Hamilton’s journey from concept to cultural phenomenon, as told by someone who has been in all of the room(s) where it happened. Even in Obama’s White House.




A young man stands in the dark, waiting to take his shot. It is May 5, 2009, and Lin-Manuel Miranda is listening at the back of the East Room for his cue. The administration of the newly elected president, Barack Obama, has invited him to the White House to perform a song from In the Heights, his Tony Award–winning Broadway musical. The organizers figured he would be a bright addition to an evening of spoken word, poetry, and hip-hop — so bright, in fact, that they asked him to close the show.
Miranda has accepted the offer, but with a twist. He’s nervous that night, standing in the dark, because he’s about to perform a song that nobody has heard before, for the fanciest crowd he’s ever faced. He can see the president and first lady in the front, silhouetted in the stage light, and the enormous portraits of George and Martha Washington peering at whatever’s about to go down.
You can watch what happened next here:




Miranda tells the audience he’s writing a hip-hop concept album about the life of Alexander Hamilton, which makes the audience laugh, because that’s a ludicrous combination of words, and then he starts rapping, which makes them laugh even more, because it really is a funny notion — a young Nuyorican spitting verses about the nation’s first Treasury secretary (in the East Room, no less, the chandeliers and gold drapes, George and Martha looking down) — but then Miranda raps faster, and with more conviction, and now nobody is laughing, because they see that he’s not joking, that he’s very serious, that this fusion of unlike parts is yielding something new and potent, something amazing, and when he’s done they leap to their feet, cheering as one, the president leading the way.


Those highly implausible four minutes are a pretty good distillation of what has happened to Miranda’s Hamilton idea ever since. The audience’s cycle of laughing, then listening intently, then breaking into wild applause has been repeated many millions of times. Hamilton has become the hottest ticket on Broadway, which is just about the least interesting thing about it. Its actors have become celebrities. Its catchphrases have crept into common usage. Its cast album just went gold. Less than a year into its run on Broadway, it has become a once-in-a-generation cultural phenomenon. Questlove, one of the album’s executive producers, cites Thriller as a point of comparison for the show’s exceptionally broad appeal — a comparison, he acknowledges, that he would call hyperbolic if somebody else had made it.



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Re: Gimnastica IQ-lui

Mesaj Scris de Vizitator la data de Mar Iun 14, 2016 2:47 pm

Keith Jarrett -improvizatii dupa JSBach
1.- Fugue in C# minor from Well Tempered Clavier Book 1.
2.- Prelude in F minor from Well Tempered Clavier Book 1.
3.- Fantasy in A minor BWV 904



Variantele clasice





orchestral


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Re: Gimnastica IQ-lui

Mesaj Scris de Vizitator la data de Vin Oct 28, 2016 2:56 pm

Jacqueline Mary du Pré (n. 26 ianuarie 1945, Oxford, Regatul Unit — d. 19 octombrie 1987, Londra, Regatul Unit) a fost o violoncelistă engleză, recunoscută ca una dintre cele mai mari interprete ale lumii la acest instrument.
Din pacate ..violoncelista s-a sfarsit inaintea omului, suferind de scleroza multipla ! lacrimi
A fost sotia lui Daniel Barenboim.









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Mesaj Scris de The Dude la data de Vin Oct 28, 2016 7:05 pm

chapeau bas....Jacqueline Mary du Pré !!

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    Acum este: Dum Oct 22, 2017 2:36 pm